On the Cutting Edge

Eden Miller and models at the first plus-size fashion show in the official IMG tents at NYFW

After Eden: Plus-Size Fashion History at NYFW

Hot Topic's sister brand, Torrid, recently announced plans to show at New York Fashion Week -- but drew criticism for incorrectly claiming that it would be the 1st plus-size brand to do so. Actually, Eden Miller's Cabiria Style line was celebrated internationally for breaking that barrier back in 2013 during the Fashion Law Institute's 3rd anniversary show in the official IMG tents at NYFW. We're proud that some traditional brands have since followed suit, casting models of all sizes as part of a tend toward greater diversity of all types. The Fashion Law Institute thanks and congratulates Eden again -- and welcomes Torrid to the runway.

Fashionista

Glamour

Popsugar

Refinery29

WWD

 

After Eden: Plus-Size Fashion History at NYFW

Hot Topic's sister brand, Torrid, recently announced plans to show at New York Fashion Week -- but drew criticism for incorrectly claiming that it would be the 1st plus-size brand to do so. Actually, Eden Miller's Cabiria Style line was celebrated internationally for breaking that barrier back in 2013 during the Fashion Law Institute's 3rd anniversary show in the official IMG tents at NYFW. We're proud that some traditional brands have since followed suit, casting models of all sizes as part of a tend toward greater diversity of all types. The Fashion Law Institute thanks and congratulates Eden again -- and welcomes Torrid to the runway.

Fashionista

Glamour

Popsugar

Refinery29

WWD

 

Raising the Bar: The New Dior Retrospective

One of the added benefits of being in Paris during the latest couture week was having the opportunity to view this historic look on display at the opening of the spectacular new fashion exhibit celebrating the Dior legacy: Christian Dior: Couturier du Rêve at the Musée des Arts Decoratifs. The exhibit highlights a range of issues pertinent to understanding the legal aspects of the fashion industry, from the impact of public policy and government action on design innovations to the interplay of fashion, art, nature, and technology.

Above: Anna Wintour contemplates the early work of Dior's protege and chosen successor, Yves Saint Laurent.

One historic example of the interplay of law, culture, and fashion is the iconic design featured above: the Bar. In 1947, Dior's celebrated New Look swept a fashion world coming out of World War II, a time when both the visual form and material content of fashion had been constrained by wartime austerity and textile rationing.  The  exhibit further highlights how Christian Dior's pre-fashion career in the art business immersed him in the world of surrealism and modernism, which in turn gave Dior a heightened sense of structure and form.

Copies from Dior collection for sale at Alexander's department store - artice from the New York Times

Of course, Dior's work inspired a number of copies around the world. Some were officially licensed. Others, such as the items depicted in the above 1960 ad from Alexander's department store, were not, leading to lawsuits that did not always work out in Dior's favor.

The exhibit also explores fashion's interplay with technology and nature. One impressive display shows iconic photos of Dior's designs that dissolve into the dresses themselves. The image below captures the transition with Richard Avedon's historic Dovima with Elephants.

A lifesize image of the model Dovima with elements dissolves to reveal the Dior dress she was wearing

Biomimetic design, which takes direct inspiration from nature, is itself the central theme of the section dedicated to Dior's garden. Not only does this part of the exhibit explore how flowers guided both the shape of and prints on his designs, but it also points to the work's continued influence. Case in point: the connection between Dior's blue rose dress and David Lynch's short film in which Marion Cotillard discovers a Twin-Peaksian blue rose in a mysterious Dior bag.

 

Dior beadwork

Detail of Dior dress design

Dior blue rose dress

Marion Cotillard finds a blue rose in a Dior handbag in a short film by Twin Peaks co-creator David Lynch

Below: an example of Dior's interaction with global culture -- in this instance, Egypt.

Dior design inspired by Egyptian statuary

Another fascinating aspect of the exhibit is its exploration of the Dior atelier, from sketches and inspiration books to a truly unique opportunity to discuss the Dior couture process in action.

One of the workers in the atelier explains the process of making couture

A section of the atelier portion of the exhibit, displaying designs all in white

Dress forms in the atelier

Dior research book

Dior design color swatches

Panoramic view of all four sections of the atelier room in the museum

The presence of the atelier illustrates how the exhibit does not merely look to the brand's past -- it also takes you through the history of the entire brand. There are sections dedicated to various Dior designers, the brand's perfumes and accessories, and its philosophy of what we would now call cross-platform brand identity. One particularly noteworthy feature is the room that takes you from the New Look to the present day in a single sweep.

A room featuring Dior designs from the New Look to today

Dior today in the dress-filled ballroom

All in all, the exhibit provides a forum for reflecting on a fashion as art -- and in the words of Marshall McLuhan, as a technological extension of our evolving selves.

 

 

Dior design philosophy: "In order to satisfy my love of architecture and clear-cut design, I wanted my dresses to be “constructed”, to be moulded to the contours of the female body, stylising its curves”.

Photo portrait of Christian Dior

Facing the Future of Wearable Tech

Louis Vuitton has announced its new Tambour Horizon smartwatch with Android Wear. Wearables, of course, are only one part of the fashion tech world, but they are perhaps the most conspicuous symbol of how technology is once again poised to remake not just design aesthetics, but law and social norms. We'll be discussing this in greater depth in our upcoming Silicon Valley Fashion Law Bootcamp, but for now I want to focus on what this highlights about what Professor Scafidi memorably referred to as "fashion as information technology." Fashion has always been in the information business, from expressing the identity of both designer and wearer to the revolutionary role played by the Jacquard loom in laying the groundwork for modern computing. While collecting information has always been an essential element of design and commerce, the new fashion tech embodied in wearables and smart textiles connects the brand itself to the creator/wearer nexus. Clothes that once stopped communicating with companies upon leaving the shop now provide a continual pipeline of data, making fashion a quintessential information business. With information equity rising in significance alongside goodwill and real estate, the potential for transformative change rivals that of early industrial machinery. We're already seeing far greater potential for a net positive impact on the environment and health, a far cry from the world that gave rise to Dickensian deterioration and Marxist manifestos. Even with benign change, however, we can expect that the unprecedented access to data will give rise to new demands for regulation, which, like the aesthetic approach to technological design, will require an artful response. Vuitton smartwatch modeled by Laura Harrier with caption, "Someone may change the world"